Dougie Wallace: Road Wallah

Here's a movie -or what photographer Dougie Wallace calls- a "photo film" on Kolkata's unorganized (aka chaotic) transport modes. He has chosen to show us the tram drivers, the rickshaw pullers, the yellow taxis, the passengers, the pedestrian and vehicular traffic that criss-crosses this teeming city along with a soundtrack (produced by Rosie Webb) that just pulsates and throbs.

The buses, the most commonly used mode of transport, are run by government agencies and private operators, and as the photo film describes them, are haphazard to say the least. Kolkata is the only Indian city with a tram network, which I've greatly enjoyed when I was there last October. Almost all of Kolkata's taxis I have seen were old Ambassador cars, with little if any modern amenities. Hand-pulled rickshaws are extensively used by the public for short trips.

 Dougie Wallace is London based but grew up in Glasgow. He lived in east London for 15 years but spends a lot of time travelling abroad. I suggest you view his project titled Reflections On Life which features scenes from the daily commute in a number of cities ranging from Lisbon, Egypt and Eastern Europe, including Sarajevo, Ukraine and Albania.

Constantine Manos: Personal Documentary

About 12 years ago, I had joined a workshop in Havana with Constantine Manos which, if I recall correctly, was sponsored by the Maine Photo Workshops. It was the second photo workshop I attended, and was quite different from the first in which I learned virtually nothing.

Constantine's (or Costa's) workshop in Havana was centered around the so-called decisive moment in street photography...one of the many photographic disciplines I knew absolutely nothing of. It was in the pre-digital days, and we had to shoot film and have it processed in these 2-hour processing shops. I recall that our group had to show Costa individual portfolios, and having taken a good look at mine (mostly portraits of India and Bhutan), he frowned and told me "...your pictures are too simple...".

This advice still resonates with me....and I worked hard to make my photography more complex since then....sometimes succeeding and often failing. Leading my own workshops now,  that's one of the lines I use the most often....

This short movie, narrated by Costa himself, is produced by Magnum In Motion and Leica. By the way, there's a typo...it's spelled Ku Klux Klan.

Shuchi Kapoor: "Oh My God!"

Photo © Shuchi Kapoor-All Rights Reserved

Shuchi Kapoor is a photographer currently based in Chennai, which is quite a distance from her native Gujarat, and who describes herself as a storyteller minus the frills. She worked for a decade in advertising until she found her calling in photography as well as in writing....so she may also be described as an emerging photography talent.

Some of her stories have been published by Femina, The Sunday Guardian, The Lonely Planet, Spiceroute, and TAXI.

Have a look at her Oh, My God gallery, whose photographs of Dasara, an important festival celebrated in India, is the most compelling of her work. This gallery features this festival as it is celebrated in Tamil Nadu, and during which men dress up as the goddess Kali, and impress the throngs of onlookers with their dance abilities, as well as their make up and costumes.

Shuchi corrected me, as I thought Dasara was Dusshera, but it seems that it's a different festival. It is also different than the Durga Puja festival celebrated in Bengali communities.

TIME's LightBox: Oded Balilty

Photo © Oded Balilty/AP-Courtesy Time LightBox

“If I see photographers in one corner, I go away. There is no need to take the same picture as five other good photographers." -Oded Balilty

It's no surprise to me that TIME LightBox is, in my estimation, one of the most exciting and interesting photojournalism blogs out there.

It recently featured Oded Balilty's The Art of Storytelling which consists of 35 wonderfully composed photographs of the Jewish ultra orthodox communities, which includes a series on a traditional Hasidic Jewish wedding, as a funeral of a leading rabbis. and the preparations for Passover.

I especially liked this photograph of ultra-Orthodox Jews gathering for the burial of a rabbi in Israel. It's very clever how Oded bisected the scene into two parts; the crowd surrounding the gravesite, and the solitary man presumably on his way to attend the burial.

Oded Balilty is a photographer for the Associated Press, is based in Tel Aviv and describes his work as something between art photography and photojournalism. He also won the Pulitzer Prize for Breaking News Photography in 2007 for his photograph of a solitary Jewish woman struggling to defy Israeli security forces in the West Bank.